Habitat For Humanity Design Project

In a group of three , we worked to design a home for the Palouse Habitat for Humanity. With an approximate square footage of 1,100, we worked to design a two story, 3 - 4 bedroom home with two bath and the possibility for aging in place. This made for a pretty difficult task as we also had the maximum of a 640 sq. ft. foot print of living space (garage not included) to work with. My partners and I worked on multiple different preliminary layout designs and as a group chose what we thought was the best usage of space and met with a Habitat for Humanity Architect who then told us the positives of our design and the ways we could improve it and we went from there. In the end I felt that we came up with a very efficient design for Habitat for Humanity in a realistic manner in that it could be built for a fairly low cost while meeting requirements for Habitat for Humanity’s financial needs. Sticking to the foot print and roughly to the square footage, sacrificing the cost of a complicated roofing system for a larger square footage, we were able to add in the family room as it saves money in the roofing materials and complicated building systems. For this design, we were able to add in multiple 5 ft. turning radius within the 1st floor plan in order to accompany the possibility of a family member needing to use a wheelchair in the long run. Moving the laundry into the garage and pushing the garage out a few extra feet spared living space within the 640 sq. ft. footprint and allowed for the laundry and bathroom to share water walls. This also led to a shared water wall with the upstairs bathroom saving Habitat for Humanity money in building. To keep with the idea that Habitat for Humanity had to encourage family time and interaction, our group decided to add in the family room and the shared study nook on the 2nd floor. This will encourage the children of the family who lives in this home to study and work together and to have possible game and TV nights together. Our overall design came from the word "roots" as we felt that this home would become the foundation to the new life to come much like the roots of a tree stabilize its growth in time. To come up with our word of roots, we looked at many Habitat for Humanity photographs and made a large list of words that came to mind, varying from love, hope, thankful, life, family, opportunity, all the way to elements like contrast and repetition, we settles on the word roots as we felt is was the strongest word we could work from and said much more about the home itself as well as the family inhabiting it. These are the two final posters which we presented our design with and a photograph of our final model of the home design. Overall, I feel that our group did an excellent job meeting the requirements and keeping the Habitat for Humanity workers and cost in mind as well as the possible home owners. I felt that it was a difficult task handed to us in the beginning, but with reworking the layout and thinking with the client in mind we were able to meet the needs for Habitat for Humanity. I feel that our rendering and hand drafting abilities in this project show our strengths as with the design idea that we came up with in the end.

Design Firm Visit

Over Thanksgiving break I met with Deanna Goguen of Decorum Design in Spokane, Washington. We discussed my project from ID 201 focusing on the design of an ADA accessible apartment for the Besse Family in Pullman, Washington with a second floor 1 bedroom income suite that is ADA visitable. In order to prepare for this visit, I made the model to my project, put together my process binder and had all of my inked drawings together in a folder to be viewed. I also brought a few material boards of the materials that were incorporated into my design.

Because I live far from any Interior Design firms, I stopped in Spokane on my way back to school in Pullman to meet with Deanna Goguen at her home office. When meeting with Deanna I was able to explain to her my project which had lasted all semester and the design solution that I came up with for the site. We talked about the problems of the site; that there is no light, it’s in downtown Pullman between businesses, the building area restrictions due to that, and the ADA requirements needing to be met. After explaining the problem, I presented the solution that I came up with in my design. I presented to Deanna the lower apartment floor plan, explaining how I met the ADA requirements along with the Besse Family’s needs. I then explained aesthetically how I designed the apartment aside from needs based on mobility and light, but expanding into the “idea of home” inspirational object of a first pet. With explaining the inspiration, I began with the concept exploration in the process binder and moved into the concept application in the design. After this, I was able to point out the display/presentation inking, renders, and drafting that I had done for the project as a whole.

When speaking with Deanna, I was given feedback that helped a lot for future projects. For the most part, she was very constructive yet not degrading and helped me to learn ways to improve a few drafting mishaps that I had made. She also explained to me the processes she will go through in the real world application asking me how I felt in the experience as well. The best advice that I was able to receive from her was that when I am applying the concept idea to my designs, to get it portrayed in three ways: the floor plan, a perspective, and a section view. This way, when someone is to look at the design in all, they will see an aspect of our inspiration in all views. When saying this though, she made it a point to not be too literal and to not overpower it. I thought that this was great advice. When meeting with Deanna, she complimented my rendering skills and said that I had done a really good job portraying not only the materials, but also in making the perspectives very believable for a client to view. She also liked how clean my drafting was done. I thought this was great to hear as it came from a professional. While meeting, Deanna asked me how I was planning to present my project during our presentations the following week, I began to explain that I was thinking to start with my concept and the “idea of home” and moving into the clients that we were building for, after that I stated that I would probably talk about the plan. At this point, she stopped me and explained that she would recommend that I don’t talk about the plan that way and to almost avoid speaking about the plan because it is something that all professionals know how to read and will not need explaining for. This was great advice, and when presenting I took it into consideration. In the end, Deanna complimented my work and said how I did an excellent job, ending with asking me what my favorite part was and where I felt that I had the most trouble. The answers being the redoing of a few inked drafts as the hardest parts as it is time consuming and it was such minor problems that I had done when I inked the first time. When explaining my favorite part, I said how it all has come together and seeing the model made in the end.

I had a really great time meeting with Deanna Goguen and felt that her feedback and professionalism was a very beneficial experience. I plan to keep in touch with her and hope to possibly this interaction will progress into continuous interactions for further projects.

Progression Reflection: A Semester at a Glance

Throughout ID 205, I learned a lot about perspective drawings, Photoshop, InDesign, and communicating through design. I came into this class confident in my sketching abilities and with more constructive criticism and minor tricks for sketching, I was able to improve on sketching leading to it now being one of my strongest skills. As I have already been pretty good at graphic design when communicating through posters and layouts, I feel that this class has led to these skills being even stronger than they were before which has helped me in my other Interior Design classes to be able to not only layout a grid effectively but to also incorporate a single idea, simplify, or overpower throughout multiple displays tying them together. For example, with this assignment I am focusing more on the work that i have done throughout the semester so aside from sticking to a grid and following that grid throughout the posters, I am keeping the background and fonts very simplified as to not distract the viewer from what is supposed to be the focal points. Along with learning poster design, we learned the sketching and rendering skills needing to be in interior design. Though I was having a very hard time with the rendering at the beginning of the semester, I was able to learn the techniques of rendering on my own without the instructions in the book through exploration and practice. In the end, my growth in my rendering skills has improved tremendously and I would consider this a class success. When looking into my sketching abilities, I came into this class with much sketching experience and have taken other classes, learning the techniques of how to draw in perspective was very beneficial to my drawings. I had not learned the skills needed yet in order to use the horizon line and vanishing points in order to draw in a more true to the eye view. This will continue to help me throughout my schooling and career. having the ability to do so has helped with the assignments that are on this poster set. All in all I feel that my overall communication skill through design has improved tremendously.

Habitat for Humanity

This past Saturday I volunteered at the Palouse Habitat for Humanity. We worked on constructing a home in Albion, Washington which is geared for low income housing to support families transitions from temporary housing to permanent housing. Before going to the site I was very excited to work on the home as I have always been interested in construction because it is what my dad does for a living and I have helped him with small projects on and off.

While at the site, we worked on many different aspects of the construction. Starting with shoveling and moving dirt in order to level the ground outside the home to putting on hurricane ties and beginning the sheathing for the roof of the home and much more. I first worked with the shoveling and moving dirt which was a lot of core muscles I hadn't reached in awhile. Moving towards putting on the hurricane ties on the east side of the home. The hurricane ties are a structural component on a home to resist tension and basically hold the roof to the home in a way. Being in charge of nailing the hurricane ties in with the air pressure nail gun. I learned a lot about how a house is built from the bottom up rather than just seeing a home in the end and not actually understanding the process of how it was built. I had a lot of fun and would consider going back again another time.

 

Sketch Crawl

When I saw everyone’s sketches at the sketch crawl I realized how different every person’s sketching strategies are. When it comes to adding color to each of our sketches, some did dramatic color and some so slim that it was barely an accent, yet with each tactic the sketches were still just as amazing. Sketching from my classmates and the Urban Sketchers were amazing and interesting to see the differences throughout. My strengths with sketching are my perspectives and being able to see the spaces put to paper, my weakness however, is adding color. I usually have a hard time adding color to my sketches because it either becomes overwhelming or I end up not liking it as much as when it was just ink. In sketches since the Sketch Crawl (and at the sketch crawl) I have tried to use color more subtly in order to accent color but without accidentally overwhelming and ruining my sketches. I plan to continue to do this and to eventually add more color and try different medias with time. Being able to experience the sketch crawl was very interesting and fun. I look forward to continuing to sketch on and off whenever I travel from now on as an inspiration from the Urban Sketchers.

My First Interior Design Job Shadow

My job shadow was to Callison in Seattle, Washington. At my job shadow, I toured the vicinity and was able to see all of the different teams within the company. Seeing the different aspects of the job and the different responsibilities of each team was very interesting. Each team will have a different project, but within those teams, the members may help other teams with their projects when they don’t have one of their own. The aspect of teamwork throughout the business was relieving in a way to know that even with it being separated, they will come together as one in the end. When I think about my future, I can really see myself working for Callison and doing the retail design that they prominently do. I really liked the design aspect of working with retail and having to know how people interact with space and the lighting of the space in order to sell the products of that business. The way Callison works to get their designs is a way that I am very familiar with and comfortable with. The concept development systems and bubble diagrams, along with sketches, are all aspects of design that I feel confident and comfortable doing. The fact that Callison strictly pulls ideas with concept development rather than skipping that step which is important to me and really drew me in to this firm. Having the opportunity to job shadow at Callison was one of the best experiences I’ve had the chance to encounter and I am extremely thankful because it really helped me to understand the real world encounter of an Interior Designer as well as what I can expect in the future. Being at Callison was my favorite part of the Seattle trip and I am very thankful I got the opportunity. I can definitely see myself with a job there in the future.

Frye Art Museum

The Frye Art Museum in Seattle, Washington was a beautiful and interesting museum where the entry was reconstructed to make sure that the person experiencing the space had a full encounter and interest in the entrance experience. With the ramp entry way and the waterfall and reflection pool next to it, it is a space which people of all mobility standards can experience and view. The reflection of the natural day light on the water at the outside entrance is an amazing sight which in my opinion intrigues a guest causing them to want to enter the museum. Within the entry was a dome much like a temple in the past. The top is a perfect half sphere which lets light reflect and opens the space up to experience it in a different way. Throughout the museum, light is of an importance because it puts emphasis on each piece of artwork but without damage to the pieces of art as well as the natural light coming in from the ceiling of the museum throughout the space which accents the art without reaching all the way to the art pieces to cause any light damage. When designing for a museum, you must be very conscious of the light because it is needed to see the art and emphasize it subtly however, it cannot be direct or damaging. Also with designing a museum, you have to lay out the space to be an easy flow of traffic with a lot of space corresponding to art works within the building. All in all, I loved the Frye Art Museum and the way that they used light so subtly through the skylights.

Chapel of St. Ignatius, Seattle University

The Chapel of St. Ignatius of Seattle University was profoundly impacting when walking through the doors. Not only is it a place of worship and faith, but it is a beautiful work of design. The use of light and texture throughout the space pulls one in and almost takes over in a way. The design is based on six bottles of light in a way and with the different colors streaming in in various places, it pulls a viewer in to feel it’s true beauty. Throughout a day, the light will reflect in different ways causing you to view the chapel in a difference sense each time. When the light hits the walls in a different way throughout, it causes the textured walls to be viewed a little differently each time giving it a different impact on the viewer each time. Since it is a place of worship, a designer must consider the different ways a person may experience the space around them. That being said, you must adjust for there to be worship, praise, comfort, and much more in the space and design around that in order to accommodate to each person’s need. I feel that this specific space works very well for the purpose and with the design inspiration. I thought that the Chapel of St. Ignatius was compelling and absolutely beautiful.

Street Bean Espresso and Shelter

When I visited the Street Bean Espresso and Shelter, I had a rude awakening for what is out there and what I don’t usually see on a daily basis. Being from such a small town, the idea of having a shelter in the town is unheard of and hearing how common it is in Seattle was pretty striking. When we entered the shelter, I got to see a sense of “home” from a different perspective. Home can mean so many different things to different people and seeing this place as a temporary but profound home to those that need it, was a pretty emotional encounter for me. When you are dealing with a large population like the streets of Seattle, you have to accommodate for the possibility of many residents in the shelter. Being a space for numerous people, you must accommodate to the idea that not everyone has the same tastes, level of comfort, or idea of “home” and with that being said, you must have versatile areas throughout a space in order to comfort the varying personalities to those staying there. Knowing this, as a designer for a residential space, I have to be able to accommodate each client with a space which they feel comfortable in. I really liked that they accommodated in a comfortable fashion, a place for some of their attendees to work across the street and to socialize. It’s almost as if they gave them a home away from home, where they can get away. This is a good idea to keep in mind when designing commercially (like the café).

Westlake Residence

In Seattle, there are many apartments going up all the time and sometimes with not enough ground area to build upon they must find a way to work around it. In order to build multiple apartments within such a small footage plan, Graham Baba Architects had to build up rather than out at the Westlake Residence construction site that we toured. Within each space separated for a studio apartment, they made a lofted 2nd floor in order to give a larger square footage to each individual apartment plan. With such a large population in Seattle, the ability to put so many apartments into a smaller acreage of land is a good ability. The most advantageous part of touring the Westlake Residence for me and my studies, were learning ways to think about smart use of space. Seeing how the designers of the Westlake project fit so many amenities into the small spaces has taught me ways to think of my current apartment design and how to fit so much into the small space. When designing for residential spaces, you must consider the space that you are working with and the wants and needs for that client. Doing so will help me as a designer, to accommodate the client but also to use the space that I am working with efficiently.